Who Was the Burried Baby in the Count of Monte Cristo

Edmond dontes.jpg

The Count of Monte Cristo (French: Le Comte de Monte-Cristo ) is an adventure novel by French author Alexandre Dumas (Alexandre Dumas père). Information technology is one of the writer'south nigh popular works, forth with The Three Musketeers. He completed the work in 1844. Like many of his novels, information technology is expanded from plot outlines suggested past his collaborating ghostwriter Auguste Maquet.

The story takes place in France, Italia, islands in the Mediterranean, and in the Levant during the historical events of 1815–1838 (from only before the Hundred Days to the reign of Louis-Philippe of France). The historical setting is a fundamental chemical element of the book. An take chances story primarily concerned with themes of hope, justice, vengeance, mercy and forgiveness, it focuses on a human who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. All the same, his plans accept devastating consequences for the innocent every bit well equally the guilty.

The book is considered a literary classic today. According to Luc Sante, "The Count of Monte Cristo has become a fixture of Western civilisation'south literature, equally inescapable and immediately identifiable as Mickey Mouse, Noah's flood, and the story of Little Scarlet Riding Hood."

1 Reception and Legacy
2 Background to the plot
iii Historical background
- 3.1 A chronology of The Count of Monte Cristo and Bonapartism
4 Plot summary
- iv.1 Edmond Dantès
- iv.ii The Count of Monte Cristo
5 Characters
- 5.ane Edmond Dantès and his aliases
- 5.two Dantès' allies
- five.3 Morcerf family
- v.4 Danglars family
- 5.five Villefort family
- 5.vi Morrel family
- v.vii Other characters
6 Publication
7 Connection to Revenge
8 Selected notable adaptations
- 8.1 Film and Telly
- eight.2 Literary adaptations
- viii.3 Sequels (books)
- 8.iv Plays and musicals scripts
- 8.v Live Broadcast

Reception and Legacy

The original work was published in series form in the Journal des Débats in 1844. Carlos Javier Villafane Mercado described the effect in Europe: The effect of the serials, which held vast audiences enthralled ... is dissimilar whatever experience of reading we are probable to have known ourselves, maybe something like that of a particularly gripping television set series. Day after twenty-four hours, at breakfast or at piece of work or on the street, people talked of niggling else. George Saintsbury stated: "Monte Cristo is said to have been at its first appearance, and for some time subsequently, the nigh popular book in Europe. Possibly no novel within a given number of years had so many readers and penetrated into and so many different countries." This popularity has extended into modern times equally well. The volume was "translated into virtually all modern languages and has never been out of print in most of them. In that location accept been at least twenty-9 motion pictures based on information technology ... likewise as several television series, and many movies [accept] worked the name 'Monte Cristo' into their titles." The title Monte Cristo lives on in a "famous gold mine, a line of luxury Cuban cigars, a sandwich, and any number of bars and casinos—it even lurks in the name of the street-corner hustle three-bill of fare monte."

Background to the plot

Dumas wrote that the idea of revenge in The Count of Monte Cristo came from a story in a book compiled by Jacques Peuchet, a French police archivist, published in 1838 later on the death of the author. Dumas included this essay in ane of the editions from 1846. Peuchet told of a shoemaker, Pierre Picaud, living in Nîmes in 1807, who was engaged to marry a rich woman when three jealous friends falsely accused him of being a spy for England. Picaud was placed under a form of firm arrest, in the Fenestrelle Fort where he served equally a retainer to a rich Italian cleric. When the man died, he left his fortune to Picaud whom he had begun to treat equally a son. Picaud then spent years plotting his revenge on the three men who were responsible for his misfortune. He stabbed the first with a dagger on which were printed the words, "Number I", and and so he poisoned the 2nd. The 3rd human'southward son he lured into crime and his girl into prostitution, finally stabbing the man himself. This third human being, named Loupian, had married Picaud's fiancée while Picaud was under abort. In another of the "True Stories" Peuchet describes a poisoning in a family. This story, also quoted in the Pleiade edition, has obviously served equally model for the affiliate of the murders inside the Villefort family. The introduction to the Pleiade edition mentions other sources from existent life: the Abbé Faria existed and died in 1819 subsequently a life with much resemblance to that of the Faria in the novel. Every bit for Dantès, his fate is quite dissimilar from his model in Peuchet's book, since the latter is murdered by the "Caderousse" of the plot. Simply Dantès has "alter egos" in two other Dumas works; in "Pauline" from 1838, and more significantly in "Georges" from 1843, where a young man with blackness beginnings is preparing a revenge against white people who had humiliated him.

Historical background

The success of Monte Cristo coincides with French republic's Second French Empire. In the volume, Dumas tells of the 1815 return of Napoleon I, and alludes to contemporary events when the governor at the Château d'If is promoted to a position at the castle of Ham. The attitude of Dumas towards "bonapartisme" was conflicted. His father, Thomas-Alexandre Dumas became a successful general during the French Revolution. When new racial-discrimination laws were practical in 1802, the general was dismissed from the ground forces and became profoundly bitter toward Napoleon. In 1840 the ashes of Napoleon I were brought to France and became an object of veneration in the church of Les Invalides, renewing popular patriotic support for the Bonaparte family.

In "Causeries" (1860), Dumas published a short paper, "État ceremonious du Comte de Monte-Cristo", on the genesis of the Count of Montecristo. It appears that Dumas had close contacts with members of the Bonaparte family while living in Florence in 1841. In a small boat he sailed around the island of Monte-Cristo accompanied by a young prince, a cousin to Louis Bonaparte, who was to go emperor of France ten years later. During this trip he promised the prince that he would write a novel with the island's name in the championship. At that time the future emperor was imprisoned at the citadel of Ham – a proper noun that is mentioned in the novel. Dumas did visit him there although he does not mention information technology in "Etat civil". In 1840 Louis Napoleon was sentenced to life in prison, but escaped in disguise in 1846, while Dumas's novel was a great success. Simply in the manner of Dantès, Louis Napoleon reappeared in Paris as a powerful and enigmatic human being of the world. In 1848, nevertheless, Dumas did not vote for Louis Napoleon. The novel may have contributed, against the volition of the author, to the victory of the future Napoleon III.

A chronology of The Count of Monte Cristo and Bonapartism

During the life of Thomas-Alexandre Dumas:

1793: Thomas-Alexandre Dumas is promoted to the rank of general in the regular army of the First French Republic.
1794: He disapproves of the revolutionary terror in Western France.
1795-97: He becomes famous and fights nether Napoleon.
1802: Black officers are dismissed from the army. The Empire re-establishes slavery.
1802: Nascence of his son, Alexandre Dumas père.
1806: Thomas-Alexandre Dumas dies, still bitter about the injustice of the Empire.

During the life of Alexandre Dumas:

1832: The only son of Napoleon I dies.
1836: Alexandre Dumas is famous as a writer by this time (historic period 34).
1836: First putsch by Louis Napoleon, aged 28, fails.
1840: A constabulary is passed to bring the ashes of Napoleon I to French republic.
1840: Second putsch of Louis Napoleon. He is imprisoned for life and becomes known equally the candidate for the imperial succession.
1841: Dumas lives in Florence and becomes acquainted with King Jérôme and his son, Napoléon.
1841-44: The novel is conceived and written.
1846: The novel is a European bestseller.
1846: Louis Napoleon escapes from his prison.
1848: French Second Republic. Louis Napoleon is elected its start president just Dumas does non vote for him.
1857: Dumas publishes État ceremonious du Comte de Monte-Cristo

Plot summary

Edmond Dantès

In 1815 Edmond Dantès, the young and successful merchant sailor recently granted his own command by his dying captain Leclère, returns to Marseille to marry his fiancée Mercédès. Leclère, a supporter of the exiled Napoléon I, has charged Dantès to evangelize two objects: a package to Maréchal Bertrand (exiled with Napoleon Bonaparte on Elba), and a letter from Elba to an unknown human in Paris. On the eve of his wedding to Mercédès, Fernand (Mercédès' cousin and a rival for her affections) and Danglars (who is jealous of Dantès' rapid rise to captain), upon the suggestion of Caderousse (a neighbour of Dantès), send an bearding notation accusing Dantès of beingness a Bonapartist traitor. Villefort, the deputy crown prosecutor in Marseille, while initially sympathetic to Dantès, destroys the alphabetic character from Elba when he discovers that it is addressed to his begetter who is a Bonapartist. In order to silence Dantès, he condemns him without trial to life imprisonment.

During his 14 years imprisonment in the Château d'If, Dantès befriends the Abbé Faria ("The Mad Priest"), a young man prisoner who is trying to tunnel his fashion to liberty, and who claims knowledge of a massive treasure and continually offers to reward the guards well if they release him. Faria gives Dantès an extensive education. He also explains to Dantès how Danglars, Fernand, and Villefort would each accept had their own reasons for wanting Dantès in prison. After years of friendship, and knowing himself to exist close to death, Faria tells Dantès the location of the treasure, on Monte Cristo. When Faria dies, Dantès uses his burial sack to stage an escape to a nearby isle, and is rescued by a smuggling ship. After several months of working with the smugglers, he goes to Monte Cristo. Dantès fakes an injury and convinces the smugglers to temporarily get out him on Monte Cristo, then makes his style to the hiding identify of the treasure. Subsequently recovering the treasure, he returns to Marseille, where he learns that his male parent has died in poverty. He buys a yacht, hides the rest of the treasure on board and buys both the isle of Monte Cristo and the title of Count from the Tuscan government.

Returning to Marseille, Dantès plans his revenge but outset helps several people who were kind to him before his imprisonment. Traveling as the Abbé Busoni, he meets Caderousse, now living in poverty, whose intervention might accept saved Dantès from prison. Dantès learns that his other enemies have all become wealthy since Dantès was betrayed. He gives Caderousse a diamond that tin can be either a hazard to redeem himself, or a trap that volition lead to his ruin. Learning that his former employer Morrel is on the verge of bankruptcy, Dantès, in the guise of a senior clerk from a banking firm, buys all of Morrel's outstanding debts and gives Morrel an extension of three months to fulfill his obligations. At the cease of the three months and with no style to repay his debts, Morrel is about to commit suicide when he learns that all of his debts have been mysteriously paid and that ane of his lost ships has returned with a full cargo, secretly rebuilt and laden by Dantès.

The Count of Monte Cristo

Disguised as the rich Count of Monte Cristo, Dantès takes revenge on the three men responsible for his unjust imprisonment: Fernand, at present Count de Morcerf and Mercédès' husband; Danglars, now a baron and a wealthy banker; and Villefort, now Prosecutor/procureur du roi — all are at present living in Paris. The Count appears showtime in Rome, where he becomes acquainted with the Baron Franz d'Épinay, and Viscount Albert de Morcerf, the son of Mercédès and Fernand. Dantès arranges for the young Morcerf to exist captured by the brigand Luigi Vampa before rescuing him from the same. Dantès then moves to Paris, and with Albert de Morcerf'south introduction, becomes the sensation of the urban center. Due to his knowledge and rhetorical power, even his enemies, who do not recognize him, find him charming and all want his friendship. The Count dazzles the crass Danglars with his seemingly countless wealth, eventually persuading him to extend him a credit of vi one thousand thousand francs, and withdraws 900,000. Nether the terms of the system, the Count tin need access to the remainder at whatever time. The Count manipulates the bond market place, through a imitation telegraph signal, and rapidly destroys a large portion of Danglars' fortune. The residuum of it begins to rapidly disappear through mysterious bankruptcies, suspensions of payment, and more bad luck on the Stock Commutation.

Villefort had once conducted an matter with Madame Danglars. She became significant and delivered the kid in the house in which he was living at that fourth dimension. After suffocating the infant, Villefort had tried to secretly coffin it in a box on the grounds of the business firm simply while doing so, he was stabbed by Bertuccio, his sworn enemy, who rescued the infant and brought him dorsum to life. Bertuccio's sister-in-law brought the kid upward, giving him the name "Benedetto". The Count learns of this story from Bertuccio, who after becomes his retainer. He purchases the firm and hosts a dinner party at that place, to which he invites, amongst others, Villefort and Madame Danglars. During the dinner, the Count announces that, while doing landscaping, he had unearthed a box containing the remains of an infant and had referred the affair to the regime to investigate. This puzzles Villefort, who knew that the infant's box had been removed and so the Count's story could not be true, and besides alarms him that perhaps he knows the clandestine of his past affair with Madame Danglars and may be taunting him.

Meanwhile, Benedetto has grown up to become a criminal and is sentenced to the galleys with Caderousse. Afterward the two are freed past "Lord Wilmore", Benedetto is sponsored by the Count to take the identity of "Viscount Andrea Cavalcanti" and is introduced by him into Parisian society at the same dinner party, with neither Villefort nor Madame Danglars suspecting that Andrea is their presumed dead son. Andrea then ingratiates himself to Danglars who betroths his daughter Eugénie to Andrea after cancelling her engagement to Albert, son of Fernand. Meanwhile, Caderousse blackmails Andrea, threatening to reveal his past. Cornered by "Abbé Busoni" while attempting to rob the Count's house, Caderousse begs to be given another run a risk, but Dantès grimly notes that the final two times he did so, Caderousse did not change. He forces Caderousse to write a letter to Danglars exposing Cavalcanti as an impostor and allows Caderousse to leave the house. The moment Caderousse leaves the manor, he is stabbed in the dorsum by Andrea. Caderousse manages to dictate and sign a deathbed statement identifying his killer, and the Count reveals his true identity to Caderousse moments before Caderousse dies.

Years before, Ali Pasha, the ruler of Janina, had been betrayed to the Turks by Fernand. After Ali's death, Fernand sold his wife Vasiliki and his daughter Haydée into slavery. Haydée was institute and bought by Dantès and becomes the Count'south ward. The Count manipulates Danglars into researching the event, which is published in a paper. As a result, Fernand is brought to trial for his crimes. Haydée testifies against him, and Fernand is disgraced. Mercédès, all the same beautiful, is the only person to recognize the Count as Dantès. When Albert blames the Count for his begetter's downfall and publicly challenges him to a duel, Mercédès goes secretly to the Count and begs him to spare her son. During this interview, she learns the entire truth of his arrest and imprisonment. She later reveals the truth to Albert, which causes Albert to make a public apology to the Count. Albert and Mercédès disown Fernand, who is confronted with Dantès' true identity and commits suicide. The female parent and son depart to build a new life complimentary of disgrace. Albert enlists as a soldier and goes to Africa in order to rebuild his life and accolade under a new name, and Mercédès begins a lone life in Marseille.

Villefort's daughter by his first wife, Valentine, stands to inherit the fortune of her grandfather (Noirtier) and of her mother's parents (the Saint-Mérans), while his second married woman, Héloïse, seeks the fortune for her son Édouard. The Count is aware of Héloïse's intentions, and "innocently" introduces her to the technique of poisonous substance. Héloïse fatally poisons the Saint-Mérans, so that Valentine inherits their fortune. Valentine is disinherited by Noirtier in an endeavour to prevent Valentine's impending marriage with Franz d'Épinay. The matrimony is cancelled when d'Épinay learns that his father (believed assassinated past Bonapartists) was killed by Noirtier in a duel. Afterwards, Valentine is reinstated in Noirtier'southward will. Later a failed try on Noirtier's life, which instead claims the life of Noirtier'south retainer Barrois, Héloïse then targets Valentine so that Édouard will finally get the fortune. However, Valentine is the prime suspect in her father's eyes in the deaths of the Saint-Mérans and Barrois. On learning that Morrel'south son Maximilien is in dear with Valentine, the Count saves her by making it announced as though Héloïse'southward program to poisonous substance Valentine has succeeded and that Valentine is dead. Villefort learns from Noirtier that Héloïse is the real murderer and confronts her, giving her the choice of a public execution or committing suicide past her ain poison.

Fleeing afterward Caderousse'south alphabetic character exposes him, Andrea gets as far as Compiègne before he is arrested and returned to Paris, where Villefort prosecutes him. While in prison awaiting trial, Andrea is visited by Bertuccio who tells him the truth most his father. At his trial, Andrea reveals that he is Villefort'southward son and was rescued after Villefort cached him alive. A stunned Villefort admits his guilt and flees the court. He rushes home to stop his wife's suicide but is too late; she has poisoned her son also. Dantès confronts Villefort, revealing his truthful identity, but this, combined with the shock of the trial's revelations and the death of his wife and son, drives Villefort insane. Dantès tries to resuscitate Édouard but fails, and despairs that his revenge has gone too far. Information technology is only after he revisits his cell in the Château d'If that Dantès is reassured that his cause is just and his conscience is clear, that he can fulfill his plan while beingness able to forgive both his enemies and himself.

Afterwards the Count's manipulation of the bond market, Danglars is left with only a destroyed reputation and v,000,000 francs he has been holding in deposit for hospitals. The Count demands this sum to fulfill their credit agreement, and Danglars embezzles the hospital fund. Abandoning his wife, Danglars flees to Italy with the Count's receipt, hoping to alive in Vienna in bearding prosperity. While leaving Rome, he is kidnapped by the Count's agent Luigi Vampa and is imprisoned the same mode that Albert was. Forced to pay exorbitant prices for food, Danglars eventually signs away all but fifty,000 francs of the stolen 5 1000000 (which Dantès anonymously returns to the hospitals). Virtually driven mad past his ordeal, Danglars finally repents his crimes. Dantès forgives Danglars and allows him to leave with his freedom and the coin he has left.

Maximilien Morrel, believing Valentine to exist dead, contemplates suicide after her funeral. Dantès reveals his true identity and explains that he rescued Morrel's father from bankruptcy, disgrace and suicide years before. He persuades Maximilien to delay his suicide. On the isle of Monte Cristo one month later, Dantès presents Valentine to Maximilien and reveals the true sequence of events. Having found peace, Dantès leaves for an unknown destination to find comfort and a new life with Haydée, who has declared her love for him.

Characters

Edmond Dantès and his aliases

Edmond Dantès (built-in 1796): A sailor with good prospects, fiancé to Mercédès. Later on his transformation into the Count of Monte Cristo, he reveals his true proper name to his enemies as each revenge is completed.
English Chief Clerk of the Thomson and French banking business firm
Lord Wilmore: An Englishman, and the persona in which Dantès performs random acts of generosity.
Sinbad the Sailor: The persona that Dantès assumes when he saves the Morrel family and assumes while mixing with smugglers and brigands.
Abbé Busoni: The persona of religious say-so.
Monsieur Zaccone: Dantès, in the guise of the Abbé Busoni, and once again as Lord Wilmore, tells an investigator that this is the Count of Monte Cristo's true name.

Dantès' allies

Abbé Faria: Italian priest and sage.
Giovanni Bertuccio: The Count of Monte Cristo'south steward and very loyal servant; foster father of Benedetto.
Luigi Vampa: celebrated Italian bandit and fugitive.
Peppino: Formerly a shepherd, he is later a brigand and full member of Vampa's gang.
Haydée (also transliterated as Haidée): The daughter of Ali Pasha of Yanina, bought out of slavery by the Count.
Ali: Monte Cristo's mute Nubian slave.
Baptistin: Monte Cristo'south valet-de-chambre.
Jacopo: A poor smuggler who helps Dantès win his liberty. When Jacopo proves his selfless loyalty, Dantès rewards him with his ain ship and coiffure.

Morcerf family unit

Mercédès Mondego (née: Herrera): Dantès' fiancée at the showtime of the story.
Fernand Mondego: Count de Morcerf, Dantès' rival and cousin of Mercédès. Eventually marries her.
Albert de Morcerf: Son of Mercédès and the Count de Morcerf, friend of Monte Cristo.

Danglars family

Baron Danglars: Dantes' jealous inferior officer at the beginning of the story, then later a wealthy banker.
Madame Hermine Danglars (formerly Baroness Hermine de Nargonne née de Servieux): She had an matter with Gérard de Villefort. They had an illegitimate son Benedetto.
Eugénie Danglars: Daughter of Baron Danglars.

Villefort family

Gérard de Villefort: Royal prosecutor who imprisons Dantès, after becoming acquaintances every bit Dantès enacts his revenge.
Renée de Villefort, née de Saint-Méran: Gérard de Villefort'south first married woman, mother of Valentine.
Le Marquis de Saint-Méran and La Marquise de Saint-Méran: Renée's parents.
Valentine de Villefort: The girl of Gérard de Villefort and his first wife, Renée. In dear with Maximilien Morrel. Engaged to Baron Franz d'Epinay until the engagement is broken off past Noirtier. She is nineteen years old with chestnut hair, dark blue eyes, and "long white hands"
Monsieur Noirtier de Villefort: The father of Gérard de Villefort and grandfather of Valentine, Édouard (and, without knowing it, Benedetto). A committed anti-royalist.
Héloïse de Villefort: The murderous second wife of Gérard de Villefort, mother of Edouard.
Édouard de Villefort. The only legitimate son of Villefort.
Benedetto: The illegitimate son of de Villefort and Baroness Hermine Danglars (Hermine de Nargonne), raised past Bertuccio and his sister-in-police, Assunta, Rogliano. Becomes "Andrea Cavalcanti" in Paris.

Morrel family unit

Pierre Morrel: Dantès'south employer, possessor of Morrel & Son.
Maximilien Morrel: Son of Pierre Morrel, an ground forces captain who becomes a friend of Dantès. In love with Valentine de Villefort.
Julie Herbault: Daughter of Pierre Morrel, married woman of Emmanuel Herbault.
Emmanuel Herbault: an employee of Morrel & Son, who marries Julie Morrel and succeeds to the business.

Other characters

Gaspard Caderousse: Originally a tailor, a neighbor and friend of Dantès only who betrays him and turns to criminal offence.
Louis Dantès: Edmond Dantès' father, who dies of starvation while Edmond is in prison house.
Baron Franz d'Épinay: A friend of Albert de Morcerf, showtime fiancé of Valentine de Villefort.
Lucien Debray: Secretarial assistant to the Government minister of the Interior, a friend of Albert de Morcerf, and a lover of Madame Danglars.
Beauchamp: Journalist and friend of Albert de Morcerf.
Raoul, Baron de Château-Renaud: Fellow member of a noble family and friend of Albert de Morcerf.
Louise d'Armilly: Eugénie Danglars' music teacher & her intimate friend.
Monsieur de Boville: originally an inspector of prisons, after a detective in the Paris force.
Barrois: Old, trusted servant of Monsieur de Noirtier.
Monsieur d'Avrigny: Family doctor treating the Villefort family.
Major (likewise Marquis) Bartolomeo Cavalcanti: Former man who plays the part of Prince Andrea Cavalcanti'southward father.
Ali Tebelen (Ali Tepelini in some versions): An Albanian nationalist leader, Pasha of Yanina, whom Mondego betrays, leading to Ali Pasha'south murder at the hands of the Turks and the seizure of his kingdom. Pasha's wife and his girl Haydée are sold into slavery.

Publication

The Count of Monte Cristo was originally published in the Journal des Débats in eighteen parts. Publication ran from August 28, 1844 to January fifteen, 1846. It was start published in Paris by Pétion in 18 volumes (1844-five). Complete versions of the novel in the original French were published throughout the nineteenth century. The nearly common English translation was originally published in 1846 past Chapman and Hall. About unabridged English language editions of the novel, including the Modern Library and Oxford World'south Classics editions, employ this translation, although Penguin Classics published a new translation by Robin Buss in 1996. Kiss' translation updated the language, is more accessible to modern readers, and reverted content that was modified in the 1846 translation considering of Victorian English social restrictions (for example, references to Eugénie's lesbian traits and behavior) to Dumas' original version. Other English language translations of the unabridged work be, but are rarely seen in print and most infringe from the 1846 anonymous translation. Alexandre Dumas wrote a set of three plays that collectively told the story of The Count of Monte Cristo: Monte Cristo (1848), Le Comte de Morcerf (1851), and Villefort (1851). The book itself went on to inspire the plot for a wide assortment of novels, from Lew Wallace'southward Ben-Hur (1880), a Science Fiction retelling in Alfred Bester'south The Stars My Destination[citation needed], to Stephen Fry's contemporary The Stars' Tennis Assurance.

Connection to Revenge

The ABC series Revenge was billed as a reimagining of Dumas' novel prior to its premiere, though the similarities are not many in terms of characters and setting. They do all the same both characteristic a protagonist who has disguised themselves as someone wealthy (and likewise other people) after serving fourth dimension in jail in guild to get revenge on a number of people who were responsible for using the constabulary against them (though Edmond Dantes is avenging his own false imprisonment while Emily is avenging that of her male parent, which inverse her life equally well).

Selected notable adaptations

Film and Television set

1934: The Count of Monte Cristo (1934 flick), directed by Rowland Five. Lee
1940: The Son of Monte Cristo, directed by Rowland 5. Lee
1942 El Conde de Monte Cristo, directed by Chano Urueta and starred by Arturo de Córdova
1946: The Return of Monte Christo, directed by Henry Levin
1950: The Prince of Revenge, Egyptian movie, directed by Henry Barkat
1956: The Count of Monte Cristo (Television receiver series), Tv set series based on further adventures of Edmond Dantes after the end of the novel
1958: Vanjikkottai Valiban Cinema of India Tamil cinema linguistic communication film was based on this novel
1964: The Count of Monte Cristo, BBC boob tube series starring Alan Badel and Natasha Parry
1975: The Count of Monte Cristo (1975 film), starring Richard Chamberlain, directed past David Greene
1977: "The Great Vendetta", Hong Kong adaption, in which the background of the story is changed in Southern Mainland china during the Republican Era, television serial starring Adam Cheng
1988: The Prisoner of Castle If, Soviet miniseries starring Viktor Avilov and Aleksei Petrenko
1998: The Count of Monte Cristo (1998 miniseries), goggle box serial starring Gérard Depardieu
1999: Forever Mine Film starring Joseph Fiennes, Ray Liotta and Gretchen Mol, loosely but conspicuously based upon The Count of Monte Cristo, directed/written by Paul Schrader
2002: The Count of Monte Cristo (2002 pic), directed by Kevin Reynolds
2004: Gankutsuou: The Count of Monte Cristo (巌窟王Gankutsuoo, literally The King of the Cave) Japanese animation adaptation. Produced past Gonzo, directed by Mahiro Maeda
2006: Vingança (telenovela), directed by Rodrigo Riccó and Paulo Rosa, SIC Portugal
2006: Montecristo (Argentine telenovela), starring Pablo Echarri and Paola Krum
2010: Ezel (Tv series), a Turkish television series billed every bit an adaptation of The Count of Monte Cristo.
2011: Revenge (2011 Television series), a television series billed as an adaptation of The Count of Monte Cristo.

Literary adaptations

2000: The Stars' Tennis Balls, Stephen Fry

Sequels (books)

1853: A Mão do finado, Alfredo Hogan
1881: The Son of Monte Cristo, Jules Lermina
1869: The Countess of Monte Cristo, Jean Charles Du Boys, as well 1934 and 1948
1946: The Wife of Monte Cristo

Plays and musicals scripts

2000: Monte Cristo past Karel Svoboda (music) and Zdenek Borovec (lyrics), Prague
2003: The Count of Monte Cristo (Граф Монте-Кристо) by Alexandr Tumencev and Tatyana Ziryanova
2006: Monte Cristo - The musical past Jon Smith and Leon Parris
2008: Monte-Cristo past Roman Ignatyev (composer) and Yuli Kim (lyrics), Moscow
2009: The Count of Monte Cristo by Frank Wildhorn
2009: The Count of Monte Cristo, by Ido Ricklin
2010: The Count of Monte Cristo, Rock Opera by Pete Sneddon
2012: The Count of Monte Cristo by Richard Bean, Royal National Theatre

Live Circulate

The Royal National Theatre's product of The Count of Monte Cristo will exist circulate live to cinemas worldwide on 17 January 2013 as role of the National Theatre Live programme.

potterpossloved.blogspot.com

Source: https://revengeabc.fandom.com/wiki/The_Count_of_Monte_Cristo